Catelyn (Tully) Stark, Lady of Winterfell (
ladywinter) wrote in
paradisalogs2012-10-05 06:47 pm
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Show me the path I must walk
Who: Catleyn Stark and you
What: Nightmares
When: Now!
Where: Catelyn's brain. She apologizes in advance
Rating: PG13 to R, depending. For violence and blood. This is also your warning for potential ASOIAF spoilers
You are in a war camp, the bustling of soldiers all about you. A tend stands nearby and in the tent, you can see a troubled young man, pouring over maps. An iron crown sits on his head, looking far too heavy for him.
Woods surround the camp, blocking almost the entire horizon. Two paths cut through the forest, each leading to a new location. Strain as you might, you can’t see anything beyond the wilderness, except for the ends of the path. You have choices, but not many.
One path leads south to a walled city by the sea. A large keep stands at the top of a hill, looking down at the filth and squalor of the city below, as if in judgment. This is a place of power. Somewhere where important things happen and there’s something compelling to you to reach it. A sense of urgency, as if something needs to be done- and soon.
The other path leads north to an isolated castle, the lands around it covered in ice and snow. Even if you’ve never seen it before, you know in your bones that this is home and it’s a sight for sore eyes. But you’ve neglected something, haven’t you? Something important. And it’s in danger now.
[Sections coming: At the camp | To King's Landing | To Winterfell]
To King's Landing
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Dark wings, dark words.
[There's no one to say the words, but they'll echo in her head all the same. The raven lands and drops its package at her feet- it's large, too large for a real raven to have been carrying.]
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The dark birds were never a good omen.
It feels clear to her that the package is intended for her however, so she crouches on the ground and traces its shape, glancing at the bird occasionally. In case. ]
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The bird simply tilts his head back at her and squawks. This is his job, don't blame him.]
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But she finds the break in a package, hooking her fingers and unwrapping it carefully. ]
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At least, that's what it is at first. As she examines it, it shifts, and suddenly she will find herself in possession of the very real head of a once handsome man, his dead eyes staring up at her sorrowfully.]
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Lucrezia stands back and cradles the head in both hands as it shifts and grows eyes to stare back at her. She drops it with the quietest gasp before fully registering what it is, as if it seared her palms before she could feel the heat, and then she sees.
The scream is so loud that she feels it is coming from outside, someone else with their mouth to her ear, and she clamps her mouth shut when she realizes it is her, in case anyone hears, stumbling back as far away from the thing as she can. ]
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What now, is the question? The road to the city still beckons, still holds something of importance. But now there's a small sept within eyeshot, offering the possibility of shelter and comfort. Was it there before? It's hard to say.]
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She gets back to her feet eventually, fiddling with her own fingers as if they are tainted by something she can't brush off. She must find her way to the city, and soon, but it would not do to leave a poor man's head lying on the ground where ravens would pluck out his eyes.
Lucrezia inhales deeply and holds it in, before rushing to wrap that package as well as she can, at least enough to cover his sad face, and rushes toward that sept.
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There are seven walls and against each, a wooden statue. The might have been beautiful once, but they have been defaced, smeared with...was it blood or paint? And, most notably, one male figure is headless.
Catelyn Stark kneels at the feet of the most prominent female figure, her hair a mess and her cheeks still stained with tears. This is Cat at her most vulnerable. There is no hiding here.]
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One figure strikes her as familiar however and she rushes toward her to comfort and be comforted, the bundle carefully covered. ]
Lady Stark.