Lucrezia Borgia (
lucre) wrote in
paradisalogs2013-09-16 12:11 pm
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Entry tags:
Oh, but how were we to know?
Who: Joshua and Lucrezia
What: to carnage or not to carnage; that is the question
When: after Lloyd's departure
Where: the creepy mansion
Rating:adults beware, children welcome let's say PG-13!
What: to carnage or not to carnage; that is the question
When: after Lloyd's departure
Where: the creepy mansion
Rating:
The letter came bearing the name Lloyd Irving; easy enough to recognize when he was the only man to have crafted for her the first real set of pearls in Paradisa. There is still a difference between objects that appear out of thin air and those that take hard work and care to pound and carve into shape. The latter has value, albeit mostly sentimental, while the former has none whatsoever. To think he would send a letter to Joshua, most curious.
Lucrezia must make an incongruous sight with the lavish pearls now about her neck, with her bare feet and otherwise plain white nightgown (never mind that it's already late in the morning), like a child playing dress-up with her mother's jewelry. At least her hair is loosely coiled down her back, if only to show the earrings more clearly and make her quiet enough to sneak up on Joshua, as if that's even possible. She needs only to follow the music to its source, the sound of the piano echoing through all the hallways, holding her breath as she walks on tiptoes behind him.
She thinks he must already notice her presence even before she stepped into the room, but it is fun to pretend. Sometimes he might be distracted enough that he might be genuinely surprised, or perhaps he would pretend for her. She moves to tickle his sides even as she wraps her arms about his waist, giggling in his ear in lieu of a hello.
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"I'm not hiding."
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"Are you waiting?"
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And he doesn't care, normally wouldn't, but here he is without a plan and this time there's nobody directing him. Lucrezia's idea has merit, but it depends on too many unpredictable factors. Normally those are fun; he likes the excitement. But in this he cannot risk a third humiliation.
"I'm thinking..."
Sighing, Joshua abruptly turns his head away, one hand reaching up to drag his fingertips against a temple as if in a partial massage, or as if trying to push something out. He growls again, this time fuller, though it's away from her, and he shudders. It hurts.
"Why didn't they try sooner? Why did they leave?"
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Lucrezia draws a sigh and steps away, finding an excuse in placing the crumpled letter on the piano. Gingerly, like the weapon itself.
"What if it is an empty threat?"
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"I told you, they resisted my powers once! They have a way."
And then, softer, so soft it's near a whisper.
"Father Nightroad could lie to them all...but he couldn't lie to me, no matter how much he tried. I knew him too well."
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She lowers her voice to match his too. "Lloyd Irving and Father Nightroad. Who else could know?"
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Again he drags his hand across a temple, this time stopping to dig just behind his ears. Eventually, if he isn't careful, he might draw blood.
"Clark. Colette. Yuan." Names and faces that are long gone. "Their allies..."
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Clark and Colette, the undefeatedly good and naïve. Mostly naïve. "What do you need? A partner? Allies?"
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"Silence."
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Lucrezia shoots him a glare, a warning if anything of the sort can be given to one like Joshua. She leaves the letter there when she turns to leave, swiping all the keys with her hand as she goes. Silence he says.
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"That's what I wanted then. What I would have done...when you left. Gotten true silence."
It's no attempt to call her back, she can have her fits however she wants, but his voice follows through the vast room. Isn't she always curious? She doesn't have to say the words for him to hear them.
"She kept me from it. Would you?"
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"Who? Colette or do you mean Fiore? Can you even tell us apart?" A lady should not shout, but what does she care? She gives him silence, the kind she knows and not the kind he wants, only to collect herself.
"Then ask me to leave."
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He needs time again to answer that, not understanding her anger or even the suggestion of Fiore's name. What does Fiore have to do with any of this, he wonders. Why wouldn't he be able to tell them apart? And then he wonders no more, because he can never spare his thoughts long on such things.
"Not this then. Then then." He moves, but not close, just around the piano, one hand never straying far from his temple. There are scratches, and there will be more. Again she's the fool, the sweet fool, the pretty fool, and she's only frustrated because she just doesn't know why, and the biggest secret of all is that he knows less than her.
"When I first invited you here, and you sent Brown. And then there was nobody. And so I wanted there to be...nobody."
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She wipes her foolish, foolish tears away with the back of her hand, setting her jaw to make herself feel stronger. But her voice is resigned.
"I will not. I am not her. If it is silence you want then that is what you will have."
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Now it's no different, suddenly in the door she was earlier seeking, and now the horns are visible but so are the veins, as jagged as the scratches he makes while digging behind his ears and out, then back. Back and forth.
"Do you think that it matters where your feet carry you, when I want silence? It has nothing to do with the noise of your voice, princess, and you're smart enough to know better. I wouldn't have wanted it if you hadn't left. It was Paradisa that would have been silent; would have been stopped.
Would that have been better? You, too..."
If nothing else, she would have been frozen in time with her brother. Everything would be nothing. She doesn't know. None of them know. Someone should know.
"And me."
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Lucrezia makes her way to the door regardless, stopping only far enough not to walk into him.
"But I am here," she raises a hand, venturing her fingers closer to his face to trail over his wounds but not to touch, eyes wandering to his chin but not daring to look up. "I cannot give you silence."
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But that escape would be to buy her silence, more than it would for him.
"If I stopped everything, then there would be. All would be." Hadn't they spoken of it? Keeping her in a glass cage... But would he be able to look after her?
"Would you stop me?"
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Lucrezia blinks away her tears as if they are hindering her, bowing her head to hide them. She isn't sad for herself. When she does look up, she dares the tips of her fingers to brush against his hair, eyes straying to find his. "You want me to stop you."
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A shudder; again, and again, as the noise trickles in. His eyes are closed now. "They wouldn't win, if everything was stopped. They wouldn't win."
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"We can go away, as far as we can, where they will never find us. Then-- you would not have to choose."
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"Where..." It's a mutter, and barely an acknowledgment, but it's there. As much as he is.
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She holds his hands close to her chest, bringing one up to kiss his knuckles. They smell of iron, blood, but she tries a smile still. "Anywhere. Beyond the dead zone. I heard there are giraffes that speak."
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Would reason stop him, now as more and more whispers continue to nibble just inside his ears, tickling and hurting just enough to make him shake his head again. With his hands taken away, that seems the next best thing, but isn't that the same logic a dog with an itch might use?
"I would just be weaker. I would just be like then." He doesn't know that it would be, or could be different. "I shouldn't...go there. I couldn't be strong enough."
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"You would not need to be strong because we will be safe. No enemies, no secret weapons."
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